Saturday, 24 September 2016

Sex Change Disco at Made in Roath and Garden of Earthly Delights

have been collaborating with my dear friend and artist Beth Greenhalgh and we have two performances coming up in Cardiff this autumn.



First up our show Sex Change Disco will be at Made in Roath...

Sex Change Disco: Beth Greenhalgh and Susie Wild

Visual Art / Performance / Spoken Word / Disco

Venue TBC

Friday 14th October, 7.30pm

Free entry, all welcome 

An image is burnt to the retina. A flash of something that lingers in my memory. It is playful, holds beauty, holds power. I will not forget it.

Chocolate guns melt into fondue and singing, speaking mouths burst with glitter, fruit, and jelly. Things are revealed upon our bodies, words spoken to stillness and everyone will dance. 

Sex Change Disco is a surreal and uncanny multi-media statement on safe space, equality and allowing openness to the individual.

Beth Greenhalgh studied Time-Based Practice at Cardiff School of Art and Design. Recent works include ‘Little Tokyo’ The Tate London.

Susie Wild is a writer and performer based in Cardiff. The author of The Art of Contraception and Arrivals, her debut poetry collection is out through Parthian in 2017.



Next up, we'll be taking a smaller piece from this collaboration to the wonder that will be tactileBOSCH's Garden of Earthly Delights...

Garden Of Earthly Delights is a love letter to Hieronymus Bosch, on the 500th anniversary of this most enigmatic and influential artist. Inhabiting the dark, atmospheric spaces of a vast, disused historic building in Cardiff Bay, tactileBOSCH present Garden Of Earthly Delights, a multi-media gesamtkunstwerk (exhibition) incorporating installation, video, sonic art, interdisciplinary collaborations and spontaneous interventions, kicked off with a wild night of live music and visceral performance art!

The itinerant collective will then reconfigure the exhibition in the sparse light-flooded spaces of Stadium Plaza.

Garden Of Earthly Delights runs from 22nd October to 19th November, and is part of Cardiff Contemporary, a city-wide festival of contemporary art.


Grand Opening Night – 7pm – 11pm Saturday 22nd October. Everyone Welcome!


For more infomation about the event head to our website:
http://tactilebosch.co.uk/projects/#/garden-of-earthly-delights/


Do come along!

Monday, 12 September 2016

The Mothership Happened...

Hello Lovelies!

So, I'm back from my time on the Mothership artist residency in Dorset and I thought I'd tell you all about my wonderful writing week. I'm grateful to have been given the space, views and time to reflect on current / new work and future longer projects.

I arrived at Bridport Station on the Saturday afternoon and artist and residency organiser Anna Best kindly collected my mobile library and I and showed us to the studio space that would be our home for the week.

After tucking my books, notebooks and laptop in, I tagged along with Anna for the Force 8 evening film screening that she runs (with Hester Schofield) in a chapel in charming West Bay, Bridport. Afterwards we walked the dog around the harbourside and then went on to another little art disco event afterwards, before returning to Copse Barn so that I could turn in early to get up and on with things the next day.





Returning to the workspace in the darkness I was struck by the silence of the roads, the expanse of fields spreading out all around, and the ever-present trees outside my wall of glass, somehow strongly reassuring but also, of course spooky. I sat looking out into nothing but country, the night, the forest, uninhabited space, and my own lone reflection in the glass.

Sunday began with Blue Tac. I used it to stick all of my poems auditioning for the collection to the walls to start to make a sense of ordering them, finding the threads and the gaps and choosing which to omit. It was strange to see 10 years of creative work, of homes and makeshift homes, relationships and shifts in this way, my words wallpapered from the floorboards to the cobwebbed corners.

Recently I have been writing more and more about my childhood, the good and the bad, the remembered and the misremembered. Something about being on the outskirts of a very small village in the woods and hills of Dorset with this huge view out into the green and quiet, really took me back to growing up (the first part of it, there's been a whole other part of it in both my twenties and my thirties).

I have been drafting and redrafting new and newer poems about being lost as a small child and enjoying it, about mothing – catching moths – which I used to do with my grandfather on summer holiday visits in Cornwall, and more on moths and bugs, actually... Something about writing into the night in this big glass-fronted lightbox, that sent me off into thinking of the moth experience, of exposure too, and the dark. Of loneliness and vulnerability, of tricks of the light. A couple of nights I woke to torrential rain, and then to mist in the morning, but no gorillas.







On the one day that the sun came out in force, I also had the opportunity, away from the city living of my adult life, to muck in with nature. I put the geese and chickens to bed, petted the ponies and, as my accounts are in a very poetic sorry state, I paid my way for my stay with an afternoon of gardening on the veg and herb patches, weeding out nettles and dandelions and fading chamomile and more... allowing the rainbow chard and the last of the beans to breathe, and eating veg and salad pick-fresh from the garden for my dinner. I also enjoyed my short skill sharing session on storytelling and phobias and scary clowns with the family.

Eeek!

With the dark nights, alone and illuminated with the bugs and the bats and the deer and the owls in the forest, the scary clown stories, my own spooky night walks and the fate of the stuffed toys, I can see a thriller or horror story coming your way soon too, which is very unlike me! Moving back to the dark side ;)


Clowncrow

A lot of weeding!

Nom

But we don't want to go to bed, though...



As well as moving closer to putting this collection to bed, and ensuring both a range of subjects and a flow between the sections, I was able to think about and work on other projects, finally finishing a story touching on weather and climate change which I have been carrying about for two or three years now, and moving forward with a couple more longer ones and lightly thinking ahead to some non fiction and longer work I'd like to get on with next, once the stories and the poems are finished.







For me, it was the perfect mix of reading, research, writing and reflection. Taking walks in the lush surrounds of the Mothership, observing the weather and the outdoors from my desk and visiting Dorchester and Bridport for art and short wandering / supply shopping trips with Anna.

I am pleased to say that I have been invited back, it feels like a place I could happily build a relationship with. Many thanks to Anna, her daughters and the animals for making me so welcome and giving me some independent creative alone time to crack on with new work with no added pressures or distractions.

If you would like to find out more about more about the Mothership which has the studio, and also a caravan available for artist residencies and collaborations for part of the year – look out for call outs for submissions – and can also be hired short or longer term, please visit: http://annabest.info/the-mothership/

Bye for now!

Susie Q x



Thursday, 25 August 2016

Wales Arts Review Interview: Beep Wales Winner Tom Banks

DATE:     POSTED IN: ARTICLESRECOMMENDED
Tom Banks is the winner of the 3rd Beep Wales International Contemporary Painting Prize 2016, for his oil on canvas ‘Meta Vita II’.The exhibition is on display at Swansea College of Art until 3 September 2016 and then touring to Wrexham and Cardiff. Curated by Jonathan Powell, the director of the artist-led elysiumgallery and studios in Swansea, it features the commended work of the 49 national and international contemporary painters selected from all the entrants to the prize.
 Here Tom explores his craft, his influences, and the winning painting.

Read the article in full on Wales Arts Review

Friday, 5 August 2016

The Mothership

Hello lovelies!

I hope you are having a splendid summer and managing to fit some adventures into the pockets of sunshine.

2016 has been throwing all sorts of horribleness at us (collectively and personally), but I'm beginning to feel more myself again after a quick succession of bad news including losing my dear Nan Sylvia while I was away in Istanbul in May followed by all the awfulness of Brexit. 

Recently I've been finding more occasions... or more need, perhaps... for joy with picnics (with my excellent new birthday gifts of a picnic basket and blanket) and time in green spaces and Ikea purchases to cosy up the not-so-new-now house.

The snails may have eaten all our edible plants in the not-so-new-now garden but weeding has been achieved. From my office window I can admire the thistles, and the parade of cats from the other terraced houses that box in our little plots. Still, I don't think we'll be returning from Greece this year to a bumper crop of courgettes and beans. 

Greece? Yes Greece. The ever-delightful T and I are heading back to Greece for the much-needed holiday we were partially robbed of last year. (Somebody lost their passport on the way). (It wasn't me!). All of you please pretty please cross your fingers for us so that nothing goes wrong this time! 

The Greece trip takes place over a week in September, and prior to that I'm really pleased that I will be on The MOTHERSHIP Residency in Dorset, writing for a week. Anna Best was kind enough to accept my application. My work in the past has focused on a very urban space and quirky, lonely characters but I am becoming more and more preoccupied with edge lands and place, with the village-living of my Cornish childhood, and with the weather... so this residency felt like a perfect fit for me. The week as a writer-in-residence will offer me the opportunity to further develop some of my new poems and stories away from capital city living. It will also allow for time to walk and reflect on other germinating creative projects. And afterwards I'm hoping to visit Chesil Beach.




Today, though, will see German practise (33% fluent on Duolingo now) and then the gym calleth, and later still I'm off to Swansea to see three of elysiumgallery's excellent exhibitions: the group shows Painting Parallels and The Painter's Studio, both in the Arts Wing of Swansea Grand Theatre, followed by the official opening of BEEP 2016: This must be the place I never wanted to leave… where the winner of the Beep Wales International Painting Prize will be announced.  Exciting! 

I hope to see many of you there or somewhere,

Susie Q x

Thursday, 14 July 2016

The Lonely Crowd: Spring Sampler

You can now download a free 32 page PDF sampler of Issue Four of The Lonely CrowdSpringSpring contains over 240 pages of short fiction, poetry and photography from some of the most exciting writers and artists at work today, including Kate Hamer, Joe Dunthorne, Susie Wild, Polly Atkin, Robert Minhinnick, Samantha Wynne-Rhydderch, Valerie Sirr, Alan McMonagle & many, many more. 

Download the preview here and you can read the first page of my short story 'Looks Like Rain':


A great journal to support!

Friday, 24 June 2016

New Flash Fiction: Birdie

I wrote a new little story called 'Birdie' for Wales Arts Review, you may have had enough fiction fed to you lately, but it may distract you briefly from this dark day... it may not.
'Usually when I passed, Birdie would be crouched, rocking on his haunches – forwards, backwards, forwards, back. He sometimes had a smile to flash, sometimes didn’t, not-quite-sat upon the threshold. Neither in nor out.'
Join Wales Arts Review throughout June for a month-long celebration of the flash fiction form. They will be publishing stories by the finest writers, a new story every day, in this online festival of flash fiction.

Tomorrow is also National Flash Fiction Day and I'll be reading a piece at the Cardiff event Imagistic at Chapter Arts Centre in Cardiff at 5pm, the event is free entry, do join us (more in the blog below about this and on Facebook).

Otherwise, today, I feel like this:





Monday, 20 June 2016

Imagistic on National Flash Fiction Day

I'm reading flash fiction here this Saturday – I'm on first or early at least. Come buy me an early birthday drink, or get Rhian Edwards, who is also reading, a belated one...

Chapter Arts Centre, Cardiff, Sat 25th June, 5pm
This year's Imagistic features six writers, including Rhian Edwards, Tyler Keevil, Ivy Alvarez, and Susie Wild, along with six artists, including Robert Harding, Keith Bayliss and Maja Spasova, in collaborations in which the writers respond to artists with new work – or for the first time in Imagistic, vice versa. 
In the first set of collaborations, three writers have chosen an image by one of the artists as an inspiration for a new short story, up to 1,000 words. 
Rebecca Smith will work from a painting (above) by Medina Hammad; Tyler Keevil will respond to a painting by Magda Kozarzewska; and Sarah Hayden has chosen a work by sculptor Robert Harding. 
In the second collaborations, we are flipping this relationship, so that the artists who have taken part in previous Imagistic events will create a piece of art inspired in some way by the writer they were previously paired with. 
Artist Paul Edwards will respond to new poems by Rhian Edwards; Maja Spasova to work by Ivy Alvarez; and Keith Bayliss to the story Susie Wild wrote in the very first Imagistic. 
On the night, the writers will read their work with the images linked to the writing projected. 
The event is part of National Flash Fiction Day, which features events across the UK.

The photo montage above is Keith's response to my story 'We Hang in the Balance' in response to another image by him...

It's a dark little story.